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Seite 99
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into a kind of shock resulting in more words rather ...
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into a kind of shock resulting in more words rather ...
Seite 100
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
The specific narrative engagement with these contemporary social fears and legal coordinates suggests that Sensationalism was concerned not only with the Law ( the transcendent signifier of individual composition ) but also with the ...
Seite 114
Anne Catherick functions as the narrative's ghost bride , that is , structurally as Sensationalism's empty sign that sets in place a space of excessive or supplementary exchange rather than sets in motion an exchange of fixed and ...
Anne Catherick functions as the narrative's ghost bride , that is , structurally as Sensationalism's empty sign that sets in place a space of excessive or supplementary exchange rather than sets in motion an exchange of fixed and ...
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Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York