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Seite 8
To enter the theater is no longer to cross the threshold , to pass through the ceremonial space of the entrance , as in a traditional public building . To enter here is to be placed in front of a screen . The Bell pavilion exhibited the ...
To enter the theater is no longer to cross the threshold , to pass through the ceremonial space of the entrance , as in a traditional public building . To enter here is to be placed in front of a screen . The Bell pavilion exhibited the ...
Seite 61
... Indians no longer live and no longer feel the vestiges of frontier policy " ( Brunette 7 ) . Thus , even though the very people who are playing the parts of nineteenth - century Lakota on the screen are presently residents of the ...
... Indians no longer live and no longer feel the vestiges of frontier policy " ( Brunette 7 ) . Thus , even though the very people who are playing the parts of nineteenth - century Lakota on the screen are presently residents of the ...
Seite 77
He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) .
He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) .
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Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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