Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
Im Buch
Ergebnisse 1-3 von 28
Seite 29
... kind of return of the repressed . . . a strange compensatory decorative exhilaration " ( 61 ) . In other words , although the traditional way of speaking of emotions as the revelation of some inner core no longer seems to apply to ...
... kind of return of the repressed . . . a strange compensatory decorative exhilaration " ( 61 ) . In other words , although the traditional way of speaking of emotions as the revelation of some inner core no longer seems to apply to ...
Seite 50
... kind of impact . So , in a way , we might actually be much closer together , but David maintains more rigidity in his work than I am willing to do . McPherson : Could you expand on this argument from “ the Left " a bit more . Who else ...
... kind of impact . So , in a way , we might actually be much closer together , but David maintains more rigidity in his work than I am willing to do . McPherson : Could you expand on this argument from “ the Left " a bit more . Who else ...
Seite 127
... kind of question raised by this art : is it really Ernst's voice ( the name he goes by in the " Original Record " of his sessions with Freud ) , the voice of Ernst himself , that Freud hears on the couch ? Is this the voice Freud makes ...
... kind of question raised by this art : is it really Ernst's voice ( the name he goes by in the " Original Record " of his sessions with Freud ) , the voice of Ernst himself , that Freud hears on the couch ? Is this the voice Freud makes ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York