Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
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Seite 33
... fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires the dispersal of ...
... fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires the dispersal of ...
Seite 37
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a “ feminine ” form ( " All That " 138-39 ) . On the confessional structure of ...
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a “ feminine ” form ( " All That " 138-39 ) . On the confessional structure of ...
Seite 90
... fact Romance , " " a realist terror through precision of descriptive detail , " " wild yet domestic , " as a text that dwells on " the roman- tic side of familiar things . " Even these brief critical comments emphasize Sensationalism's ...
... fact Romance , " " a realist terror through precision of descriptive detail , " " wild yet domestic , " as a text that dwells on " the roman- tic side of familiar things . " Even these brief critical comments emphasize Sensationalism's ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York