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Seite 33
This describes , in fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires ...
This describes , in fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires ...
Seite 37
I would argue that this is in part due to the fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a “ feminine ” form ( " All That ...
I would argue that this is in part due to the fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a “ feminine ” form ( " All That ...
Seite 90
For example , some common definitions of Sensationalist texts are " matter of fact , " " precision of descriptive detail , " " domestic " focus , and stressing “ familiar things . " Given these specific textual practices , what is it ...
For example , some common definitions of Sensationalist texts are " matter of fact , " " precision of descriptive detail , " " domestic " focus , and stressing “ familiar things . " Given these specific textual practices , what is it ...
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Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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