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Seite 80
You are indistinguishable and yet the object of my desire . My desire ... how can I desire if I do not exist ? If I lead a mere shadow - existence ? How am I supposed to desire the other if I am ...
You are indistinguishable and yet the object of my desire . My desire ... how can I desire if I do not exist ? If I lead a mere shadow - existence ? How am I supposed to desire the other if I am ...
Seite 99
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into a kind of shock resulting in more words rather ...
Their complex visual lure generates the play of desire in a narrative of skewed expectations of class and gender . This interruption ( not a failure ) sends the narrative as a whole into a kind of shock resulting in more words rather ...
Seite 100
desire , inheritance , and class . He interprets these specific discus- sions as threatening the effective coordination of the legal nar- ratives of the State , subjectivity , and citizenship ( 72-88 ) .
desire , inheritance , and class . He interprets these specific discus- sions as threatening the effective coordination of the legal nar- ratives of the State , subjectivity , and citizenship ( 72-88 ) .
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Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York