Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
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Seite 39
... Critical and Textual Hypermasculinity . " Logics of Television : Essays in Cultural Criticism . Ed . Patricia Mellencamp . Bloomington : Indiana UP , 1990. 156-72 . Kaplan , E. Ann , ed . Regarding Television : Critical Approaches - An ...
... Critical and Textual Hypermasculinity . " Logics of Television : Essays in Cultural Criticism . Ed . Patricia Mellencamp . Bloomington : Indiana UP , 1990. 156-72 . Kaplan , E. Ann , ed . Regarding Television : Critical Approaches - An ...
Seite 89
... critical overuse which hounds the reception of some of our more popular current representa- tional practices : talk shows ( Oprah and Geraldo ) , performance art ( Karen Finley ) , TV movies of the week , the rise of genre movies and ...
... critical overuse which hounds the reception of some of our more popular current representa- tional practices : talk shows ( Oprah and Geraldo ) , performance art ( Karen Finley ) , TV movies of the week , the rise of genre movies and ...
Seite 90
... critical apparatus is that its particular narra- tive pleasures are interrogatory and interruptive . Thus , Sensa- tionalism problematizes and exacerbates the main operation of textual / cultural criticism which abstracts or reduces a ...
... critical apparatus is that its particular narra- tive pleasures are interrogatory and interruptive . Thus , Sensa- tionalism problematizes and exacerbates the main operation of textual / cultural criticism which abstracts or reduces a ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York