Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
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Seite 66
... called “ humiliation " of the relic : they would debase a great figure until their aim was attained . " ― Another similarity between the medieval and modern display of dead " others " is economic . With a nice set of relics , a medieval ...
... called “ humiliation " of the relic : they would debase a great figure until their aim was attained . " ― Another similarity between the medieval and modern display of dead " others " is economic . With a nice set of relics , a medieval ...
Seite 131
... called , is transformed into ordinary or objective chronic time ( that of the sciences , and particularly of history - Historie ) by the switch from I to you , and from their temporality of expectation and memory , to the third person ...
... called , is transformed into ordinary or objective chronic time ( that of the sciences , and particularly of history - Historie ) by the switch from I to you , and from their temporality of expectation and memory , to the third person ...
Seite 141
... called the metabasis ) . Literarily speaking , this moment is at its best when the recognition ( of the phone ) occurs through a theatrical rever- sal , as if by chance , but by that kind of chance that seems intentional while also ...
... called the metabasis ) . Literarily speaking , this moment is at its best when the recognition ( of the phone ) occurs through a theatrical rever- sal , as if by chance , but by that kind of chance that seems intentional while also ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York