Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
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Seite 75
... become completely absent . Or I have become completely present . I can no longer see myself when there is no shadow to reassure me of my presence . There is something unsettling about street - lamps . They cause me to disappear . They ...
... become completely absent . Or I have become completely present . I can no longer see myself when there is no shadow to reassure me of my presence . There is something unsettling about street - lamps . They cause me to disappear . They ...
Seite 77
... become a wealthy man . He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) ...
... become a wealthy man . He prefers that his old owner no longer use the familiar form of address ( " Du " ) when speaking to him . He wants to take the learned man on a journey as his traveling companion , as a spa - shadow ( Kurschatten ) ...
Seite 84
... become even more terrible . For while the original , the living man , must die some day , the shadow will enjoy immortality on the silver screen . The screen will become the only reality upon which his real life will be remembered ...
... become even more terrible . For while the original , the living man , must die some day , the shadow will enjoy immortality on the silver screen . The screen will become the only reality upon which his real life will be remembered ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York