Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Ausgabe 11991 |
Im Buch
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Seite 90
... Sensationalism's elusive relationship to the critical apparatus is that its particular narra- tive pleasures are interrogatory and interruptive . Thus , Sensa- tionalism problematizes and exacerbates the main operation of textual ...
... Sensationalism's elusive relationship to the critical apparatus is that its particular narra- tive pleasures are interrogatory and interruptive . Thus , Sensa- tionalism problematizes and exacerbates the main operation of textual ...
Seite 91
... Sensationalism more as an interventionist strategy and less a distinct category , that is , an undetermined gesture within the legal boundaries of other categories . - I think the key to Sensationalism's different use of Realistic ...
... Sensationalism more as an interventionist strategy and less a distinct category , that is , an undetermined gesture within the legal boundaries of other categories . - I think the key to Sensationalism's different use of Realistic ...
Seite 92
... Sensationalism on the side of inappropriate or excessive affective and representational processes is an impor- tant one . In " Structures of Feeling " Raymond Williams makes a case for the critical and cultural uses of this kind of a ...
... Sensationalism on the side of inappropriate or excessive affective and representational processes is an impor- tant one . In " Structures of Feeling " Raymond Williams makes a case for the critical and cultural uses of this kind of a ...
Inhalt
Thomas Andrae Berkeley Herbert Blau | 4 |
individuals | 25 |
tion Back issues of Discourse Nos 2 8 10 1 10 2 11 1 11 2 12 1 13 1 | 47 |
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Häufige Begriffe und Wortgruppen
addressed aesthetic affect allows American analysis Anne argue argument articulated attempt become body called Center child complete construction contemporary continues critical critique culture desire discourse discussion emotional engaged essay example exist fact Fair feelings feminine feminist Freud gender Grosz important Indian individual interest issue kind knowledge labor light live longer look Marxism maternal meaning mother move narrative Native never notes novel object operation original past political popular position possible postmodern practice present production question reading reference relations remains representation scene seems Sensationalism sense sexual shadow social space spatial specific story structure Studies suggests television theory thought tion traditional Trans trying turn University voice White woman Woman in White women writes York