Discourse, Band 13Indiana University Press, 1991 |
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Seite 123
... visual arts to dance , in precisely the same manner as does Banes , to argue that George Balanchine is the true modernist choreographer . See his " Balanchine's Formalism , " What Is Dance ?, ed . Roger Copeland and Marshall Cohen ...
... visual arts to dance , in precisely the same manner as does Banes , to argue that George Balanchine is the true modernist choreographer . See his " Balanchine's Formalism , " What Is Dance ?, ed . Roger Copeland and Marshall Cohen ...
Seite 17
... visual fields of transmission , and both sculpt a mass audience . As " seeing machines " that charge their spectators to see in percep- tually and ideologically particular ways , advertising and the cin- ema can be situated in the same ...
... visual fields of transmission , and both sculpt a mass audience . As " seeing machines " that charge their spectators to see in percep- tually and ideologically particular ways , advertising and the cin- ema can be situated in the same ...
Seite 22
... visual rhetorical moves , I am suspicious of its blend of contentious didacticism with postmodern play that finally uses this case and its coverage most selectively . Yet the tape has moments of theoretically - informed and suggestive ...
... visual rhetorical moves , I am suspicious of its blend of contentious didacticism with postmodern play that finally uses this case and its coverage most selectively . Yet the tape has moments of theoretically - informed and suggestive ...
Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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