Discourse, Band 13Indiana University Press, 1991 |
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Seite 102
... Narrative does indeed seem to be a privileged site for the production and performance of affect , but certainly it is not the only mode . Barthes's Camera Lucida itself testifies to this : in Kristeva's terms , the text combines ...
... Narrative does indeed seem to be a privileged site for the production and performance of affect , but certainly it is not the only mode . Barthes's Camera Lucida itself testifies to this : in Kristeva's terms , the text combines ...
Seite 104
... narrative for me inheres in great part in its critical representation of an intimate space which is not defined by our society's construction of a rigid boundary between the private ( where presumably the emotions of grief and anxiety ...
... narrative for me inheres in great part in its critical representation of an intimate space which is not defined by our society's construction of a rigid boundary between the private ( where presumably the emotions of grief and anxiety ...
Seite 120
... Narrative Cinema ” . - issues such as " woman's fantasy presence and real absence from the male unconscious " ( 7 ) , and fetishism , where " the castrated female . . . haunts the male unconscious " ( 11 ) . The " Margins " section of ...
... Narrative Cinema ” . - issues such as " woman's fantasy presence and real absence from the male unconscious " ( 7 ) , and fetishism , where " the castrated female . . . haunts the male unconscious " ( 11 ) . The " Margins " section of ...
Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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