Discourse, Band 13Indiana University Press, 1991 |
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Seite 48
... represented pictorially as essences not analogically as processes . They have no history . They have no particularity — except for their nor- malizing assignment to gender and class . Like ... represents , rests upon stable 48 Discourse 13.1.
... represented pictorially as essences not analogically as processes . They have no history . They have no particularity — except for their nor- malizing assignment to gender and class . Like ... represents , rests upon stable 48 Discourse 13.1.
Seite 81
... represents a phantasmatic hysteria , a theorist's hysteria , which deliberately navigates around the mir- ror and ... representing Ibsen , welcomes her female spectators to the pleasures of the mirror . Her married friend happily sees ...
... represents a phantasmatic hysteria , a theorist's hysteria , which deliberately navigates around the mir- ror and ... representing Ibsen , welcomes her female spectators to the pleasures of the mirror . Her married friend happily sees ...
Seite 59
... represents the Cold War as a struggle between good and evil , heroes and villains . Despite its hasty retreat to political allegory , Marty's Althusserian reading of Strangers on a Train represents a welcome departure from the ...
... represents the Cold War as a struggle between good and evil , heroes and villains . Despite its hasty retreat to political allegory , Marty's Althusserian reading of Strangers on a Train represents a welcome departure from the ...
Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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