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Seite 144
In an interesting twist on Walter Benjamin's problematic notion of the end of the “ aura ” of the original work of art through the infinite reproducibility of the photograph , the film starts out as play with that aura .
In an interesting twist on Walter Benjamin's problematic notion of the end of the “ aura ” of the original work of art through the infinite reproducibility of the photograph , the film starts out as play with that aura .
Seite 76
According to Freud , “ jokes are formed in the first person " as “ a preconscious thought is given over for a moment to unconscious revision and the outcome of this is at once grasped by conscious perception " ( 166 ; original emphasis ) ...
According to Freud , “ jokes are formed in the first person " as “ a preconscious thought is given over for a moment to unconscious revision and the outcome of this is at once grasped by conscious perception " ( 166 ; original emphasis ) ...
Seite 14
We see this resistance prevail in nineteenth - century transcendentalism when Ralph Waldo Emerson claims “ Other men and my own body must be ranked under this name , NATURE ” ( 10 ; original emphasis ) . Descartes's Meditations on First ...
We see this resistance prevail in nineteenth - century transcendentalism when Ralph Waldo Emerson claims “ Other men and my own body must be ranked under this name , NATURE ” ( 10 ; original emphasis ) . Descartes's Meditations on First ...
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Inhalt
Secular Jews Preservation and Destruction | 3 |
Jewish Gauchos and Jewish Others or Culture | 15 |
A Family History Recalled | 29 |
Urheberrecht | |
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