A Contradiction Still: Representations of Women in the Poetry of Alexander PopeManchester University Press, 1998 - 245 Seiten This text offers a critique of the views concerning gender and gender roles expressed or implied in Pope's poetry. Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a discussion of Pope's poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. |
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Seite v
... 97 The poet's voice 101 5 Eloisa , the female philosopher 109 Eloisa and the idea of the female tradition 110 Eloisa's point of view 115 Against a masculine aesthetics 125 6 Female presence in The Rape of the Lock 134.
... 97 The poet's voice 101 5 Eloisa , the female philosopher 109 Eloisa and the idea of the female tradition 110 Eloisa's point of view 115 Against a masculine aesthetics 125 6 Female presence in The Rape of the Lock 134.
Seite vi
... Lock 134 Stock figures and narrative displacement 135 Pastoral and sexual ambiguity 137 The role of Umbriel 142 ... Lock 165 Belinda's mirror - image 166 The ' machines ' : the mechanics of the body 180 Representations of light 186 ...
... Lock 134 Stock figures and narrative displacement 135 Pastoral and sexual ambiguity 137 The role of Umbriel 142 ... Lock 165 Belinda's mirror - image 166 The ' machines ' : the mechanics of the body 180 Representations of light 186 ...
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Inhalt
2 | 36 |
Violence and representation in WindsorForest | 67 |
The aesthetic transformation | 77 |
4 | 83 |
5 | 106 |
Female presence in The Rape of the Lock | 134 |
Reflections and illusions in The Rape of the Lock | 165 |
creativity and the question of gender | 202 |
Conclusion | 226 |
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aesthetic Alexander Pope ambiguity ambivalent Ambrose Philips analysis Aphra Behn argues argument Ariel artistic attitude behaviour Belinda Brean Hammond century character claim complex concerning contemporary context contradiction conventional couplet creativity Criticism culture demonstrates describes Dryden Dulness Dunciad eighteenth eighteenth-century Eliza Haywood Eloisa to Abelard Empson Epistle Essay Essay on Criticism example expression fact femininity feminism feminist figure gender Heloise human idea ideology implies important intellectual interpretation John Dryden Lady language Lauretis literary Lock logical London Lord Hervey male masculinity meaning metaphor mind mock-heroic moral narrative nature object Oxford particular passage pastoral performative contradiction physical poem poem's poet poetic political Pope's poetry position produces question Rape readers recognise reference relation representation rhetorical role satire says Scriblerian sense sexual social society stereotypes structure sylphs theory tion Umbriel understanding violence voice William Empson Windsor-Forest woman women