A Contradiction Still: Representations of Women in the Poetry of Alexander PopeThis text offers a critique of the views concerning gender and gender roles expressed or implied in Pope's poetry. Knellwolf approaches Pope's stylistic complexity revealing it as an effect of his engagement with a historical situation in which the position of women was one of the most prominent sources of ideological conflict. She provides a discussion of Pope's poetic language and relates it to the wider context of publication in which male writers defended the masculine privilege of literary authorship against intellectual women. |
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Inhalt
Differences and discrepancies | 23 |
The figure of the poet | 33 |
Contradiction the double standard and its critics | 39 |
De Lauretis and the performance of contradiction | 51 |
Popes rhetoric viewed in cultural perspective | 58 |
Violence and representation in WindsorForest | 67 |
The aesthetic transformation | 77 |
The role of the poet in An Essay on Criticism | 86 |
Eloisa the female philosopher | 109 |
Female presence in The Rape of the Lock | 134 |
39 | 164 |
Reflections and illusions in The Rape of the Lock | 165 |
51 | 184 |
creativity and the question of gender | 202 |
Conclusion | 226 |
239 | |
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