The Works of Shakespeare ..., Band 14Bobbs-Merrill Company, 1910 |
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Seite xvii
... Stand upon terms " and " stand upon points " are both in Q ; the last only is preserved . Both are used by Greene , but are not peculiar to him , and little in it can be his . The stereotyped expressions , " well I wot ( 82 ) , " salve ...
... Stand upon terms " and " stand upon points " are both in Q ; the last only is preserved . Both are used by Greene , but are not peculiar to him , and little in it can be his . The stereotyped expressions , " well I wot ( 82 ) , " salve ...
Seite xxiii
... standing - ground . I am inclined to think some space of time ( certainly not less than a year ) elapsed between the composition of The Contention and The True Tragedy . To return to Kyd . His next work in order was probably Cornelia ...
... standing - ground . I am inclined to think some space of time ( certainly not less than a year ) elapsed between the composition of The Contention and The True Tragedy . To return to Kyd . His next work in order was probably Cornelia ...
Seite xxiv
... stands with regard to this later play of Kyd's and our quintet . Soliman and Perseda , with the ex- cellent Basilisco and Piston , the former referred to by Shake- speare in King John , was a very popular play . 1. iv . 136. As opposite ...
... stands with regard to this later play of Kyd's and our quintet . Soliman and Perseda , with the ex- cellent Basilisco and Piston , the former referred to by Shake- speare in King John , was a very popular play . 1. iv . 136. As opposite ...
Seite xlv
... stand on a .. point . 2 Henry VI . 1. i . 216 ; True Tragedy ( at 3 Henry VI . IV . viii . 27 , " upon " ) ; 3 Henry VI . iv . vii . 58. And Mid- summer Night's Dream . sumptuous . 1 Henry VI . v . i . 20 ; 2 Henry VI . 1. iii . 133 ...
... stand on a .. point . 2 Henry VI . 1. i . 216 ; True Tragedy ( at 3 Henry VI . IV . viii . 27 , " upon " ) ; 3 Henry VI . iv . vii . 58. And Mid- summer Night's Dream . sumptuous . 1 Henry VI . v . i . 20 ; 2 Henry VI . 1. iii . 133 ...
Seite xlvii
... stand • · stay not to expostulate . let's go make speed . Contention ( at 2 Henry VI . v . ii . 72 ) ; True Tragedy ; 3 Henry VI . 11. v . 135. And in Two Gentlemen of Verona . thickest throng . ( at 11. iii . 16 ) ; at fighters ...
... stand • · stay not to expostulate . let's go make speed . Contention ( at 2 Henry VI . v . ii . 72 ) ; True Tragedy ; 3 Henry VI . 11. v . 135. And in Two Gentlemen of Verona . thickest throng . ( at 11. iii . 16 ) ; at fighters ...
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battle blood brother Clar Clarence Clif Clifford Compare Contention crown death Dict doth Duke of York Dyce Earl Enter King erle Exeunt Omnes Exit Faerie Queene father fight Folio France friends Gentlemen of Verona Glou Gloucester Golding's Ovid Grafton Greene Greene's Grey Grosart Hall hand hast hath haue heart hence Henry VI Henry's house of York King Edward King Henry Kyd's Kyng Lady Bona Lancaster Locrine Lord Love's Labour's Lost Lucrece March Marlowe Marlowe's Montague oath occurs omitted Q Oxford pare passage Peele Peele's Plantagenet play Prince Quarto quoted Rich Richard Richard III scene Shake Shakespeare shalt slain soldiers Soliman and Perseda Somerset sonne Spanish Tragedy speak speare speech Spenser sweet sword Tamburlaine tears tell thee thine thou Titus Andronicus True Tragedy unto viii Warwick words ΙΟ