The Works of Shakespeare ..., Band 14Bobbs-Merrill Company, 1910 |
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Seite xi
... Spenser's , which occurs in the Messenger's speech ( Q , II . i . 43 ) , “ saddest spectacle " appears in the final play ( II . v . 73 ) . Line 71 ( “ The flower of Europe " ) is found in The First Contention but was omitted in 2 Henry ...
... Spenser's , which occurs in the Messenger's speech ( Q , II . i . 43 ) , “ saddest spectacle " appears in the final play ( II . v . 73 ) . Line 71 ( “ The flower of Europe " ) is found in The First Contention but was omitted in 2 Henry ...
Seite xiii
... Spenser's piteous spectacle " here ( 73 ) altered to " saddest spectacle before ( II . i . 67 ) . Some of the changes are very quaint , as " son so rude , " to " son so rued " ( 109 ) . Several lines of Q are shifted about confusingly ...
... Spenser's piteous spectacle " here ( 73 ) altered to " saddest spectacle before ( II . i . 67 ) . Some of the changes are very quaint , as " son so rude , " to " son so rued " ( 109 ) . Several lines of Q are shifted about confusingly ...
Seite xviii
... Spenser's old dragon . The tag at the end in the style of Seneca is transposed from lower down ( at 45 ) , in Q. The " bug that feared us all " ( 2 ) is also Spenserian and not in Q. The fine metaphor of the cedar and the eagle is ...
... Spenser's old dragon . The tag at the end in the style of Seneca is transposed from lower down ( at 45 ) , in Q. The " bug that feared us all " ( 2 ) is also Spenserian and not in Q. The fine metaphor of the cedar and the eagle is ...
Seite xxvi
... SPENSER . Parallels from Spenser are not very striking - not enough to rank as loans - but sufficient to show how Shakespeare was imbued with his writings . Reference will be necessary only to the passages where information is to be ...
... SPENSER . Parallels from Spenser are not very striking - not enough to rank as loans - but sufficient to show how Shakespeare was imbued with his writings . Reference will be necessary only to the passages where information is to be ...
Seite xxx
... Spenser ( up to 1591 ) , of Peele , of Greene , and with the Henry VI . group beside me , two continual facts enforced themselves . One was the con- stant evidence of Marlowe's use of Spenser , particularly Faerie Queene ( I. , II . and ...
... Spenser ( up to 1591 ) , of Peele , of Greene , and with the Henry VI . group beside me , two continual facts enforced themselves . One was the con- stant evidence of Marlowe's use of Spenser , particularly Faerie Queene ( I. , II . and ...
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battle blood brother Clar Clarence Clif Clifford Compare Contention crown death Dict doth Duke of York Dyce Earl Enter King erle Exeunt Omnes Exit Faerie Queene father fight Folio France friends Gentlemen of Verona Glou Gloucester Golding's Ovid Grafton Greene Greene's Grey Grosart Hall hand hast hath haue heart hence Henry VI Henry's house of York King Edward King Henry Kyd's Kyng Lady Bona Lancaster Locrine Lord Love's Labour's Lost Lucrece March Marlowe Marlowe's Montague oath occurs omitted Q Oxford pare passage Peele Peele's Plantagenet play Prince Quarto quoted Rich Richard Richard III scene Shake Shakespeare shalt slain soldiers Soliman and Perseda Somerset sonne Spanish Tragedy speak speare speech Spenser sweet sword Tamburlaine tears tell thee thine thou Titus Andronicus True Tragedy unto viii Warwick words ΙΟ