Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 8Gale Research Company, 1984 |
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Seite 418
... Caliban's imagination as of Prospero's . But Caliban's creativity , from the lowest level of his lust to the highest of his fantasy , is chaotic and unreasoning , whereas Prospero's is controlled ; his power is " art . " It is precisely ...
... Caliban's imagination as of Prospero's . But Caliban's creativity , from the lowest level of his lust to the highest of his fantasy , is chaotic and unreasoning , whereas Prospero's is controlled ; his power is " art . " It is precisely ...
Seite 459
... Caliban and Ariel . Caliban occupies the bestial end of the scale , while Ariel approximates to the angelic end . ( pp . 33-4 ) Caliban externalizes Prospero's propensity to evil just as Ariel represents his aspiration toward good ...
... Caliban and Ariel . Caliban occupies the bestial end of the scale , while Ariel approximates to the angelic end . ( pp . 33-4 ) Caliban externalizes Prospero's propensity to evil just as Ariel represents his aspiration toward good ...
Seite 469
... Caliban's recital of the ways Prospero may be killed echoes the commonplace catalogue of the manifold forms death may take : thou mayst brain him , Having first seiz'd his books ; or with a log Batter his skull , or paunch him with a ...
... Caliban's recital of the ways Prospero may be killed echoes the commonplace catalogue of the manifold forms death may take : thou mayst brain him , Having first seiz'd his books ; or with a log Batter his skull , or paunch him with a ...
Inhalt
Richard III | 136 |
The Tempest | 280 |
Appendix | 475 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words