Im Buch
Ergebnisse 1-3 von 65
Seite 18
Finally , that , like most other writers , Eleanor ( or Drayton ) should emphasize the characterization of Humphrey as the “ good Duke " is not ... As the virtuous nobleman he must show restraint in writing of his own affairs .
Finally , that , like most other writers , Eleanor ( or Drayton ) should emphasize the characterization of Humphrey as the “ good Duke " is not ... As the virtuous nobleman he must show restraint in writing of his own affairs .
Seite 301
It was a comic mode that may have developed out of Shakespeare's interest in locality - contrast already seen in the plays of the first group , but it nevertheless seems to be a kind of writing of his own invention .
It was a comic mode that may have developed out of Shakespeare's interest in locality - contrast already seen in the plays of the first group , but it nevertheless seems to be a kind of writing of his own invention .
Seite 302
It was therefore appropriate that such writing should present a ... The writers of prose romance in the late sixteenth century could exalt the friendship idea which they had inherited from antiquity and the Middle Ages just as they ...
It was therefore appropriate that such writing should present a ... The writers of prose romance in the late sixteenth century could exalt the friendship idea which they had inherited from antiquity and the Middle Ages just as they ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |