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Seite 38
At the moment of her death , the focus shifted from the stage , where she was being held , to an offstage area ; a drop fell and revealed a dress on fire inside a mesh drum - an effect that Wish worked out with Dominic McGill of Jauchem ...
At the moment of her death , the focus shifted from the stage , where she was being held , to an offstage area ; a drop fell and revealed a dress on fire inside a mesh drum - an effect that Wish worked out with Dominic McGill of Jauchem ...
Seite 49
Emerging from the trap as the spirits summoned for the duchess of Gloucester in 2 Henry VI , 1.4 , they reenacted the scene of the son's death ( slung Icarus - like above the stage ) as the agonized father uttered the prophecies .
Emerging from the trap as the spirits summoned for the duchess of Gloucester in 2 Henry VI , 1.4 , they reenacted the scene of the son's death ( slung Icarus - like above the stage ) as the agonized father uttered the prophecies .
Seite 90
16 The stage direction in Q , we remember , shows the murderers smothering their victim , but even so Warwick's abbreviated account in Q implies strangulation . It's an inconsistency in Q which the ambiguous stage direction in F , which ...
16 The stage direction in Q , we remember , shows the murderers smothering their victim , but even so Warwick's abbreviated account in Q implies strangulation . It's an inconsistency in Q which the ambiguous stage direction in F , which ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night Olivia once opening Orsino Oxford performance play play's political position present Press production Proteus reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |