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Seite 108
Nay answer if you can : The Frenchmen are our enemies : go too then , I ask but this : Can he that speaks with the ... error of the " excluded middle " : Say speaks French ; our enemies speak French ; therefore , Say is our enemy .
Nay answer if you can : The Frenchmen are our enemies : go too then , I ask but this : Can he that speaks with the ... error of the " excluded middle " : Say speaks French ; our enemies speak French ; therefore , Say is our enemy .
Seite 136
When Portia enters and starts to speak , it is the first time , as we realize , that the voice of a woman has been heard . In public Calpurnia expressed only acquiescence and stood silent . Or perhaps we haven't even thought that was ...
When Portia enters and starts to speak , it is the first time , as we realize , that the voice of a woman has been heard . In public Calpurnia expressed only acquiescence and stood silent . Or perhaps we haven't even thought that was ...
Seite 270
What he gains , as it were , over Viola is permission to speak out - even when men are present . ... or , more oddly , when Andrew surprises us by speaking French , and exchanges such exquisite salutations with Cesario that both are ...
What he gains , as it were , over Viola is permission to speak out - even when men are present . ... or , more oddly , when Andrew surprises us by speaking French , and exchanges such exquisite salutations with Cesario that both are ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |