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( III.i.106-8 ) " Up to the elbows " seems at first to be hyperbole , but the action indicates that the conspirators are actually " Signed in thy spoil , and crimsoned in thy lethe " ( III.1.207 ) , as Antony tells us .
( III.i.106-8 ) " Up to the elbows " seems at first to be hyperbole , but the action indicates that the conspirators are actually " Signed in thy spoil , and crimsoned in thy lethe " ( III.1.207 ) , as Antony tells us .
Seite 128
death ” ( 1893 , 176 ) reflects the Victorian hyperbole of his rhetorical strategy ; nevertheless even more than when alive , Caesar dead seems to shape powerfully the history of the Roman world . " * The spectators may , however ...
death ” ( 1893 , 176 ) reflects the Victorian hyperbole of his rhetorical strategy ; nevertheless even more than when alive , Caesar dead seems to shape powerfully the history of the Roman world . " * The spectators may , however ...
Seite 254
+ 3 Thus La civile conversatione seems to take up all the courtly behavioral ideals of The Courtier , cast once more in a dialectical relationship with comedy as their cultural double . Gonzaga's play , both culturally and ...
+ 3 Thus La civile conversatione seems to take up all the courtly behavioral ideals of The Courtier , cast once more in a dialectical relationship with comedy as their cultural double . Gonzaga's play , both culturally and ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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