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16 Rosalind Boxall finally challenged this dehumanized reading in her revelatory 1952-3 performances in Birmingham ... For all this , Ashcroft's performance genuinely marked a further opening - up of the role , and helped to stimulate ...
16 Rosalind Boxall finally challenged this dehumanized reading in her revelatory 1952-3 performances in Birmingham ... For all this , Ashcroft's performance genuinely marked a further opening - up of the role , and helped to stimulate ...
Seite 189
This adaptation , which was indulgently reviewed by Leigh Hunt , continued in performance at intervals over several years , the text has not survived . Shakespeare's play had been introduced to New York in 1804 , and it was the American ...
This adaptation , which was indulgently reviewed by Leigh Hunt , continued in performance at intervals over several years , the text has not survived . Shakespeare's play had been introduced to New York in 1804 , and it was the American ...
Seite 339
Consider Richard Moore's performance as Launce in the Royal Shakespeare Company's 19911992 production of Two Gentlemen of Verona . Crab was played by a real dog named Woolly . Real dogs are not written down : they are a hors du texte .
Consider Richard Moore's performance as Launce in the Royal Shakespeare Company's 19911992 production of Two Gentlemen of Verona . Crab was played by a real dog named Woolly . Real dogs are not written down : they are a hors du texte .
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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