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Seite 78
In a narrative actualization of the metaphorical triumph in Act one , scene one , Talbot describes his humiliation : " With scoffs and scorns and contumelious taunts / In open marketplace produced they me / To be a public spectacle to ...
In a narrative actualization of the metaphorical triumph in Act one , scene one , Talbot describes his humiliation : " With scoffs and scorns and contumelious taunts / In open marketplace produced they me / To be a public spectacle to ...
Seite 121
In the third part of his narrative Cassius concentrates on a comparison between Caesar and Brutus . He uses the same technique here that Marullus used with the Plebeians in the first scene ; comparing Caesar to another , Cassius ...
In the third part of his narrative Cassius concentrates on a comparison between Caesar and Brutus . He uses the same technique here that Marullus used with the Plebeians in the first scene ; comparing Caesar to another , Cassius ...
Seite 132
His resigned narrative passage recalls to the minds of the theatre audience the mimetic representation of his humiliation in the military strategy conference at Sardis ( IV.iii.195-224 ) : Give me thy hand , Messala : Be thou my witness ...
His resigned narrative passage recalls to the minds of the theatre audience the mimetic representation of his humiliation in the military strategy conference at Sardis ( IV.iii.195-224 ) : Give me thy hand , Messala : Be thou my witness ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |