Shakespearean CriticismGale, 2003 - 432 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 221
... male voice ( Sebastian's ) gives the lie to the illusion that both performers are female soprano or mezzosoprano sing- ers . This auditory effect ' is actually achieved by alternately overdubbing two female voices and one male voice ...
... male voice ( Sebastian's ) gives the lie to the illusion that both performers are female soprano or mezzosoprano sing- ers . This auditory effect ' is actually achieved by alternately overdubbing two female voices and one male voice ...
Seite 253
... male and one female crossdressed . The male twin's transves- tism has been enforced since birth because of a bet between his father and a friend : whichever of them fathered a male child was to pay two thousand florins to the other if ...
... male and one female crossdressed . The male twin's transves- tism has been enforced since birth because of a bet between his father and a friend : whichever of them fathered a male child was to pay two thousand florins to the other if ...
Seite 291
... male than female . Yea were it so that she alwaies brought forth male , then should it without peradventure bee an un- perfectnesse : for like as of the bodie and of the soule there ariseth a compound more nobler than his partes , which ...
... male than female . Yea were it so that she alwaies brought forth male , then should it without peradventure bee an un- perfectnesse : for like as of the bodie and of the soule there ariseth a compound more nobler than his partes , which ...
Inhalt
Production Reviews | 37 |
Themes | 52 |
Further Reading | 111 |
Urheberrecht | |
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actors Antony Antony's audience becomes Brutus Brutus's Cade Cade's Cambridge Cassius castration Cesario character comedy comic conspiracy conspirators critics cultural death disguise dramatic Duke early modern edition Edward Elizabethan England English essay date eunuch female Feste Feste's film gender Gentlemen of Verona Gloucester gulling Henry VI Henry VI plays Henry's History Plays Humphrey Illyria Jack Cade Joan John Julia Julius Caesar King King Lear Launce literary London lover male Malvolio Margaret ment mimetic moral murder narrative noble Nunn Nunn's Olivia Orsino Oxford performance play's plot political Portia present Press production Proteus Queen relationship Renaissance reveals Richard Richard III role Roman Rome says scene Sebastian seems sense sexual Shake Shakespeare Shakespeare's plays Silvia Sir Toby social speare speare's speech sport stage Suffolk suggests theatre theatrical thee thou tion tragedy Twelfth Night twins Valentine Viola William Shakespeare woman women words York
Bibliografische Informationen
| Titel | Shakespearean Criticism Literature criticism online Band 74 von Shakespearean Criticism Series |
| Autor/in | Michael LaBlanc |
| Herausgeber | Michael LaBlanc |
| Ausgabe | illustriert |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |