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Are we to see anything personal in his reflectionWe may find the classic stichomythia , the line - by - line retorts ... Some of the lines strike us as bathetic ; then we know Shakespeare could often be casual , at another moment write ...
Are we to see anything personal in his reflectionWe may find the classic stichomythia , the line - by - line retorts ... Some of the lines strike us as bathetic ; then we know Shakespeare could often be casual , at another moment write ...
Seite 198
It is good to mourn the dead , but not to carry mourning to extremes ; and there could be no greater contrast than with Viola's style as she arrives on stage a mere ten lines later , shipwrecked and mourning the brother she has lost ...
It is good to mourn the dead , but not to carry mourning to extremes ; and there could be no greater contrast than with Viola's style as she arrives on stage a mere ten lines later , shipwrecked and mourning the brother she has lost ...
Seite 229
Whereas their voices combined jest with the line " that can sing both high and low " during the boat scene because ... Although the scene's lines flow without interruption , the three complete scene changes and interaction of injury and ...
Whereas their voices combined jest with the line " that can sing both high and low " during the boat scene because ... Although the scene's lines flow without interruption , the three complete scene changes and interaction of injury and ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |