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When playwrights turned to more specific and secular subjects in the 1950's and 1560's , the easily changing figure of humanity was replaced by figures with limited characteristics similar to the abstract personifications .
When playwrights turned to more specific and secular subjects in the 1950's and 1560's , the easily changing figure of humanity was replaced by figures with limited characteristics similar to the abstract personifications .
Seite 148
They're more like a bunch of squabbling schoolboys fighting over a piece of turf , puny figures whose conflicts ... Boutsikaris ' Cassius is not a figure of disturbing , powerful malevolence but a small - minded , whiny villain who ...
They're more like a bunch of squabbling schoolboys fighting over a piece of turf , puny figures whose conflicts ... Boutsikaris ' Cassius is not a figure of disturbing , powerful malevolence but a small - minded , whiny villain who ...
Seite 348
... 12 : 287 , 291 , 294 , 295 ; 19 : 21 ; 29 : 183 , 190 ; 45 : 147 ; 70 : 186 , 193 Cressida Troilus and Cressida as ambiguous figure 43 : 305 inconsistency 3 : 538 ; 13 : 53 ; 16 : 70 ; 22 : 339 ; 27 : 362 individual will vs. social ...
... 12 : 287 , 291 , 294 , 295 ; 19 : 21 ; 29 : 183 , 190 ; 45 : 147 ; 70 : 186 , 193 Cressida Troilus and Cressida as ambiguous figure 43 : 305 inconsistency 3 : 538 ; 13 : 53 ; 16 : 70 ; 22 : 339 ; 27 : 362 individual will vs. social ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |