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Seite 39
... to the myth of linear historical movement and representing early modern English history as a pictorial discourse . ... for recent narratives about the power and popularity of Shakespeare's histories on the early modern stage .
... to the myth of linear historical movement and representing early modern English history as a pictorial discourse . ... for recent narratives about the power and popularity of Shakespeare's histories on the early modern stage .
Seite 227
From the early nineteenth century on , 2.4 has undergone radical cutting , including the omission of all of Feste's role in the scene as well as the excision of Orsino's discourse on men's wavering love and its causes .
From the early nineteenth century on , 2.4 has undergone radical cutting , including the omission of all of Feste's role in the scene as well as the excision of Orsino's discourse on men's wavering love and its causes .
Seite 243
respondingly intimate discursive mode , seems a particularly suitable case for microhistorical treatment in Ariès's terms for early modern civility — the more so as it is a comedy intensely and constantly preoccupied with the very ...
respondingly intimate discursive mode , seems a particularly suitable case for microhistorical treatment in Ariès's terms for early modern civility — the more so as it is a comedy intensely and constantly preoccupied with the very ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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