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Seite 117
Julius Caesar maintained its popularity from the Restoration to about the last quarter of the eighteenth century , being produced at least once in almost every year . Its restrained , “ classical ” style undoubtedly suited the temper of ...
Julius Caesar maintained its popularity from the Restoration to about the last quarter of the eighteenth century , being produced at least once in almost every year . Its restrained , “ classical ” style undoubtedly suited the temper of ...
Seite 191
Those white - washed buildings were the same , arguably , in the sixteenth century as they are in the twentieth century . ' The costuming was ' Elizabethan Illyrian ' , that is , ' Greek - Yugoslav dress of that period ' — and in fact ...
Those white - washed buildings were the same , arguably , in the sixteenth century as they are in the twentieth century . ' The costuming was ' Elizabethan Illyrian ' , that is , ' Greek - Yugoslav dress of that period ' — and in fact ...
Seite 234
primacy apparently sets his logic as the more valid one , but “ truth ” itself is suspect since Sebastian , like Malvolio , is caught up in mistaken identity . twentieth - century Western set of assumptions about gender equity - given ...
primacy apparently sets his logic as the more valid one , but “ truth ” itself is suspect since Sebastian , like Malvolio , is caught up in mistaken identity . twentieth - century Western set of assumptions about gender equity - given ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |