Shakespearean CriticismGale, 2003 - 432 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 100
... becomes the hunted prey in the scene , taken prisoner by two actual hunters . In the next act , it is the captive Edward who is represented as a deer . When he enters the stage with a Huntsman , he is met by his rescuers who have hidden ...
... becomes the hunted prey in the scene , taken prisoner by two actual hunters . In the next act , it is the captive Edward who is represented as a deer . When he enters the stage with a Huntsman , he is met by his rescuers who have hidden ...
Seite 168
... become antagonists as a result . When mimetic rivalry becomes intense , tragic conflict results . Intense conflict and intense friendship are almost identi- cal in Shakespeare . This paradox is a source of linguistic effects that should ...
... become antagonists as a result . When mimetic rivalry becomes intense , tragic conflict results . Intense conflict and intense friendship are almost identi- cal in Shakespeare . This paradox is a source of linguistic effects that should ...
Seite 248
... becomes a kind of internal epidemic or contaminatio , spreading out from the play's neutered center . As the Pseudo- Servius observed in the ninth century , " This one as a eunuch who deflowered that virgin is the principal subject ...
... becomes a kind of internal epidemic or contaminatio , spreading out from the play's neutered center . As the Pseudo- Servius observed in the ninth century , " This one as a eunuch who deflowered that virgin is the principal subject ...
Inhalt
Production Reviews | 37 |
Themes | 52 |
Further Reading | 111 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actors Antony Antony's audience becomes Brutus Brutus's Cade Cade's Cambridge Cassius castration Cesario character comedy comic conspiracy conspirators critics cultural death disguise dramatic Duke early modern edition Edward Elizabethan England English essay date eunuch female Feste Feste's film gender Gentlemen of Verona Gloucester gulling Henry VI Henry VI plays Henry's History Plays Humphrey Illyria Jack Cade Joan John Julia Julius Caesar King King Lear Launce literary London lover male Malvolio Margaret ment mimetic moral murder narrative noble Nunn Nunn's Olivia Orsino Oxford performance play's plot political Portia present Press production Proteus Queen relationship Renaissance reveals Richard Richard III role Roman Rome says scene Sebastian seems sense sexual Shake Shakespeare Shakespeare's plays Silvia Sir Toby social speare speare's speech sport stage Suffolk suggests theatre theatrical thee thou tion tragedy Twelfth Night twins Valentine Viola William Shakespeare woman women words York
Bibliografische Informationen
| Titel | Shakespearean Criticism Literature criticism online Band 74 von Shakespearean Criticism Series |
| Autor/in | Michael LaBlanc |
| Herausgeber | Michael LaBlanc |
| Ausgabe | illustriert |
| Verlag | Gale, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Länge | 432 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |