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Seite 80
In a visible economy in which opposition is justified as difference , violence , Cohen argues , becomes the site at which difference itself is fashioned and becomes meaningful as a term in the ideological conflict of the play .
In a visible economy in which opposition is justified as difference , violence , Cohen argues , becomes the site at which difference itself is fashioned and becomes meaningful as a term in the ideological conflict of the play .
Seite 168
No one can hope to equal him and become another Caesar , and this is what Brutus really wants to be . ... They all accuse each other of destroying Republican institutions and this false excuse quickly becomes the truth of the situation ...
No one can hope to equal him and become another Caesar , and this is what Brutus really wants to be . ... They all accuse each other of destroying Republican institutions and this false excuse quickly becomes the truth of the situation ...
Seite 170
The more ' perfect ' the doubles are as doubles , the easier it becomes to substitute one for another . LIGARIUS Set on your foot , And with a heart new fir'd I follow you To do I know not what ; but it sufficeth That Brutus leads me on ...
The more ' perfect ' the doubles are as doubles , the easier it becomes to substitute one for another . LIGARIUS Set on your foot , And with a heart new fir'd I follow you To do I know not what ; but it sufficeth That Brutus leads me on ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |