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Seite 79
Phyllis Rackin astutely observes the challenge posed to English idealizing historiography and discourses of fame presented by French nominalism and association with sexuality and the body : [ A ] t the rhetorical level , ( the French ) ...
Phyllis Rackin astutely observes the challenge posed to English idealizing historiography and discourses of fame presented by French nominalism and association with sexuality and the body : [ A ] t the rhetorical level , ( the French ) ...
Seite 81
In rejecting Joan's claim to judicial protocol , the English once again compromise their claims to moral superiority . As Jackson observes , " Joan is the butt of the brutal joke here , but it is unlikely that York and Warwick come off ...
In rejecting Joan's claim to judicial protocol , the English once again compromise their claims to moral superiority . As Jackson observes , " Joan is the butt of the brutal joke here , but it is unlikely that York and Warwick come off ...
Seite 113
Charney suggests reading Julius Caesar within the context of Shakespeare's English history plays , which he finds contain “ a reflection of the realities of Elizabethan England . ” David Daniell ( see Further Reading ) concurs , arguing ...
Charney suggests reading Julius Caesar within the context of Shakespeare's English history plays , which he finds contain “ a reflection of the realities of Elizabethan England . ” David Daniell ( see Further Reading ) concurs , arguing ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |