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Yet Hands cut 164 lines of Part Three , nearly half of which were originally assigned to , or about , Margaret . Their absence seemed to affect Helen Mirren's performance by diminishing Margaret's maternal bond with Prince Edward .
Yet Hands cut 164 lines of Part Three , nearly half of which were originally assigned to , or about , Margaret . Their absence seemed to affect Helen Mirren's performance by diminishing Margaret's maternal bond with Prince Edward .
Seite 45
At one performance , Grey still wore the crown at her exit ; at another , Edward angrily snatched it back . Either choice reveals how , in appropriating the sacred crown to secular , and sexual , use , Edward initiates a break in the ...
At one performance , Grey still wore the crown at her exit ; at another , Edward angrily snatched it back . Either choice reveals how , in appropriating the sacred crown to secular , and sexual , use , Edward initiates a break in the ...
Seite 59
In the plays discussed in this article we have seen representative kings ( Henry in Friar Bacon , Edward in George a Greene , and we might add the King in Jack Straw ) , kings involved in personal conflict ( Alexander , James in George ...
In the plays discussed in this article we have seen representative kings ( Henry in Friar Bacon , Edward in George a Greene , and we might add the King in Jack Straw ) , kings involved in personal conflict ( Alexander , James in George ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night Olivia once opening Orsino Oxford performance play play's political position present Press production Proteus reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |