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and retrospective narrative Cassius never loses his touch with political reality - he knows what Antony intends to gain . Caesar's death means the creation of new charismatic positions couched in financial benefits .
and retrospective narrative Cassius never loses his touch with political reality - he knows what Antony intends to gain . Caesar's death means the creation of new charismatic positions couched in financial benefits .
Seite 128
For a while the theatre audience a may respond to Antony not as a mere narrator - character , one who possesses a limited ... of the events of the assassination but also makes the spectators vigilantly attentive to Antony's narratives .
For a while the theatre audience a may respond to Antony not as a mere narrator - character , one who possesses a limited ... of the events of the assassination but also makes the spectators vigilantly attentive to Antony's narratives .
Seite 147
His funeral speech feels practiced — think Al Gore - inadvertently masking the complications in Brutus's heart , making Antony's countervailing oration a finger snap . celebrated monologues , Mark Antony's eulogy for his murdered leader ...
His funeral speech feels practiced — think Al Gore - inadvertently masking the complications in Brutus's heart , making Antony's countervailing oration a finger snap . celebrated monologues , Mark Antony's eulogy for his murdered leader ...
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Inhalt
Henry VI Parts 1 2 and | 1 |
Production Reviews | 37 |
Themes | 52 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antony appears audience becomes body Brutus calls Cambridge Cassius castration century character comedy critics cultural death desire disguise Duke early edition Edward effect Elizabethan England English example fact female figure final Gentlemen gives gulling hand Henry Henry VI human Humphrey important Italy John Julius Caesar kind King later less lines London male Malvolio means mind moral murder narrative nature never Night offers Olivia once opening Orsino Oxford performance play play's political position present Press production reason references relation relationship Renaissance reveals Richard role Roman Rome says scene seems sense sexual Shake Shakespeare social SOURCE speak speech stage story Studies suggests theatre things thou tion turn Twelfth Twelfth Night Viola woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 74 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 2003 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787660035, 9780787660031 |
| Zitat exportieren | BiBTeX EndNote RefMan |