Charles Baudelaire: Ein Lyriker Im Zeitalter Des Hochkapitalismus |
Im Buch
Ergebnisse 1-3 von 16
Seite 63
Hugo , to be sure , was not able to assess the historical significance of this force .
However , it left its imprint on his work as a strange distortion , in the form of
spiritualistic protocols . Hugo ' s contact with the spirit world which , as we know ,
had ...
Hugo , to be sure , was not able to assess the historical significance of this force .
However , it left its imprint on his work as a strange distortion , in the form of
spiritualistic protocols . Hugo ' s contact with the spirit world which , as we know ,
had ...
Seite 133
To be sure , it quickly crystallizes it , as soon as a certain degree of maturity has
been attained ' . 62 On the other hand , this same manufacturing produces , ' in
every handicraft that it seizes upon , a class of so - called unskilled labourers , a ...
To be sure , it quickly crystallizes it , as soon as a certain degree of maturity has
been attained ' . 62 On the other hand , this same manufacturing produces , ' in
every handicraft that it seizes upon , a class of so - called unskilled labourers , a ...
Seite 140
The correspondances constitute the court of judgment before which the object of
art is found to be a faithful reproduction – which , to be sure , makes it entirely
problematic . If one attempted to reproduce this aporia through language , one ...
The correspondances constitute the court of judgment before which the object of
art is found to be a faithful reproduction – which , to be sure , makes it entirely
problematic . If one attempted to reproduce this aporia through language , one ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
The Bohème II | 11 |
The Flâneur 35 | 35 |
Modernism | 67 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
able antiquity appears artistic Baudelaire Baudelaire's beauty became become beginning big city called century Charles commodity concerned correspondances crowd describes dreams edited elements existence experience expression eyes fact fashion figure flâneur Fleurs follows France give hand hero Hugo human idea important indicates individual interest kind later less light lines literature living London look lyric Marx masses material matter means memory mind nature never object observation original Paris pass past person Poe's poem poet poetry political present probably production Proust Quoted reader recognize reflections regarded remained says Second seems sense shock shows side social society speaks story streets sure things thought tion translated turn wine woman worker writes wrote