Charles Baudelaire: Ein Lyriker Im Zeitalter Des Hochkapitalismus |
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Seite 68
Baudelaire was fond of using it to present martial elements as artistic elements .
When he describes Constantin Guys , to whom he was attached , he catches him
at a time when others are asleep . How he stands there ' bent over his table ...
Baudelaire was fond of using it to present martial elements as artistic elements .
When he describes Constantin Guys , to whom he was attached , he catches him
at a time when others are asleep . How he stands there ' bent over his table ...
Seite 117
He speaks of a duel in which the artist , just before being beaten , screams in
fright . 16 This duel is the creative process itself . Thus Baudelaire placed the
shock experience at the very centre of his * artistic work . This self - portrait ,
which is ...
He speaks of a duel in which the artist , just before being beaten , screams in
fright . 16 This duel is the creative process itself . Thus Baudelaire placed the
shock experience at the very centre of his * artistic work . This self - portrait ,
which is ...
Seite 162
He prophesied its scientific applications . Whereupon the artists began to debate
its artistic value . Photography ... The early photography was artistically superior
to miniature - portraiture . The technical reason for this lay in the long exposure ...
He prophesied its scientific applications . Whereupon the artists began to debate
its artistic value . Photography ... The early photography was artistically superior
to miniature - portraiture . The technical reason for this lay in the long exposure ...
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Inhalt
The Bohème II | 11 |
The Flâneur 35 | 35 |
Modernism | 67 |
Urheberrecht | |
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