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Seite 73
... heroine in the first part of the scene do little to extend the characterizations beyond the delineations of the Countess . In her only line , Helena hints at a motive of grief which is comprehensible only in her first soliloquy .
... heroine in the first part of the scene do little to extend the characterizations beyond the delineations of the Countess . In her only line , Helena hints at a motive of grief which is comprehensible only in her first soliloquy .
Seite 74
The soliloquy is interrupted by the entrance of Parolles , and the comic mood shines more brightly . For Parolles is colourful and alluring : Who comes here ? One that goes with him ; I love him for his sake , And yet I know him a ...
The soliloquy is interrupted by the entrance of Parolles , and the comic mood shines more brightly . For Parolles is colourful and alluring : Who comes here ? One that goes with him ; I love him for his sake , And yet I know him a ...
Seite 75
As Helena knows Bertram , so she knows Parolles . In fact , it is she , not Lafeu as so many critics argue , who is the first to see through him . The scene ends with Helena's second soliloquy in which she reveals her resolution to ...
As Helena knows Bertram , so she knows Parolles . In fact , it is she , not Lafeu as so many critics argue , who is the first to see through him . The scene ends with Helena's second soliloquy in which she reveals her resolution to ...
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Actaeon action Adonis All's appears attempt audience beauty becomes beginning Bertram blood body character comedy comic conventional course critics death desire Diana effect Elizabethan English essay expression eyes fact Falstaff father feel female final force Ford give Helena honor husband ideal kind King King's ladies language later lines live London lords Love's Labour's Lost lovers lust male marriage married master means Merry Wives Mistress moral nature never object Parolles play plot poem present Press problem question reading reason reference relation response role romantic says scene seems sense sexual Shake Shakespeare social soliloquy Sonnet speaks speech stage story Studies suggests theme things thou tion traditional true truth turn Venus Venus and Adonis virginity wife Windsor woman women young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1998 |
| ISBN | 0787612510, 9780787612511 |
| Zitat exportieren | BiBTeX EndNote RefMan |