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Seite 98
At the end of this wonderfully inclusive catalogue of paradoxical roles , Helena turns to Bertram's role : Now shall heI know not what he shall . God send him well ! The court's a learning - place , and he is one( 1.1.171-73 ) Her ...
At the end of this wonderfully inclusive catalogue of paradoxical roles , Helena turns to Bertram's role : Now shall heI know not what he shall . God send him well ! The court's a learning - place , and he is one( 1.1.171-73 ) Her ...
Seite 274
Falstaff remains a vital comic presence in Merry Wives , but his function has changed from that of his role in Henry IV , Parts 1 and 2. In Henry IV , Falstaff's role is closer to that of the eiron , the ironic figure who acts from ...
Falstaff remains a vital comic presence in Merry Wives , but his function has changed from that of his role in Henry IV , Parts 1 and 2. In Henry IV , Falstaff's role is closer to that of the eiron , the ironic figure who acts from ...
Seite 305
The association of these concepts with the role of the cuckold was , for an Elizabethan audience , strong enough to allow ... between women and men would nonetheless recall the traditional roles of dominant wife and diminished husband .
The association of these concepts with the role of the cuckold was , for an Elizabethan audience , strong enough to allow ... between women and men would nonetheless recall the traditional roles of dominant wife and diminished husband .
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Actaeon action Adonis All's appears attempt audience beauty becomes beginning Bertram blood body character comedy comic conventional course critics death desire Diana effect Elizabethan English essay expression eyes fact Falstaff father feel female final force Ford give Helena honor husband ideal kind King King's ladies language later lines live London lords Love's Labour's Lost lovers lust male marriage married master means Merry Wives Mistress moral nature never object Parolles play plot poem present Press problem question reading reason reference relation response role romantic says scene seems sense sexual Shake Shakespeare social soliloquy Sonnet speaks speech stage story Studies suggests theme things thou tion traditional true truth turn Venus Venus and Adonis virginity wife Windsor woman women young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1998 |
| ISBN | 0787612510, 9780787612511 |
| Zitat exportieren | BiBTeX EndNote RefMan |