Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38Gale Research Company, 1998 |
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Seite 135
... comic aspect can be carried too far . The more we laugh at Bertram , the less believ- able he is as a beloved of Helena . A totally comic , over - acted Bertram would destroy any sense of roman- tic reconciliation between Helena and ...
... comic aspect can be carried too far . The more we laugh at Bertram , the less believ- able he is as a beloved of Helena . A totally comic , over - acted Bertram would destroy any sense of roman- tic reconciliation between Helena and ...
Seite 166
... comic structure of Shakespearean romantic comedy ? The prin- ciple which organizes the events of the play is analo- gous to that of tragedy . It is the committing by the chief characters of a comic error , which in turn leads to ...
... comic structure of Shakespearean romantic comedy ? The prin- ciple which organizes the events of the play is analo- gous to that of tragedy . It is the committing by the chief characters of a comic error , which in turn leads to ...
Seite 207
... comic . The comic involves a conscious perception of dispro- portion in mental and physical effort to the end at- tained . In situations of reception , exaggeration or imi- tation the adult reduces himself or the other to the level ...
... comic . The comic involves a conscious perception of dispro- portion in mental and physical effort to the end at- tained . In situations of reception , exaggeration or imi- tation the adult reduces himself or the other to the level ...
Inhalt
Desire | 1 |
Alls Well That Ends Well | 64 |
Loves Labours Lost | 163 |
Urheberrecht | |
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Actaeon Adonis's All's anthem audience beauty Berowne Berowne's Bertram bird character Chester's comedy comic conventional Countess critics death desire Diana doth dramatic Elizabeth Elizabethan English erotic essay date eyes Falstaff female final hath Helena honor husband ideal King King's ladies Lafew language lines London lords loue Love's Labour's Lost lovers lust M. C. Bradbrook male marriage married means ment Merry Wives metaphor nature Navarre Neoplatonic Othello paradox Parolles Petrarch Petrarchan Phoenix and Turtle play play's plot poet poetic poetry praise Princess Problem Comedies Queen Renaissance revenge role romantic Romeo Romeo and Juliet Rosaline Salusbury satire says scene seems sense sexual Shake Shakespeare Shakespearean comedy social Sonnet speare's speech stanza story suggests symbolic theme thou tion tradition Troilus and Cressida truth Venus and Adonis Venus's virginity wife Wilson Knight Windsor Wives of Windsor woman women wooing words young