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This ambiguity is richly expressive of the way in which the soft , effeminate male became for the Renaissance an ideal type of human beauty . Shakespeare's attitude towards this ideal , however , is deeply ambivalent .
This ambiguity is richly expressive of the way in which the soft , effeminate male became for the Renaissance an ideal type of human beauty . Shakespeare's attitude towards this ideal , however , is deeply ambivalent .
Seite 14
Restated in terms of the abstract thematic scheme suggested earlier in this chapter , beauty's destruction is made inevitable by its own . death - seeking efforts to avoid involvement with possessive , threatening sexual love .
Restated in terms of the abstract thematic scheme suggested earlier in this chapter , beauty's destruction is made inevitable by its own . death - seeking efforts to avoid involvement with possessive , threatening sexual love .
Seite 187
The man who envisions sensual love as the final step in the process of loving , says Ficino , is no better than a beast.15 Witness , in this regard , his hierarchy of the sensual and intellectual apprehension of beauty .
The man who envisions sensual love as the final step in the process of loving , says Ficino , is no better than a beast.15 Witness , in this regard , his hierarchy of the sensual and intellectual apprehension of beauty .
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Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 38 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1998 |
| ISBN | 0787612510, 9780787612511 |
| Zitat exportieren | BiBTeX EndNote RefMan |