Patterns of Redemption in Virgil's GeorgicsCambridge University Press, 02.09.1999 - 255 Seiten The vindication of Octavian also has strictly literary implications for Virgil. The close of the poem sees Virgil asserting his mastery of the Homeric mode of poetry, the most sublime available, and the providential world-view it was thought to embody."--Jacket. |
Inhalt
Prima ab origine | 15 |
Aristeia | 50 |
Mirabile dictu | 103 |
Poeta creatus | 150 |
sphragis | 213 |
Sparsere per agros | 230 |
| 252 | |
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Aeneas Aeneid Aetia allegoresis allegory ancient Apollo Aratus argued Aristaeus assimilation associated Augustan Augustus Buffière bugonia Burkert Caesar caesi Callimachean Callimachus capture of Proteus Catullus cites Civil Wars context cosmic creation Cyrene death depicted Dionysiac Dionysus dismemberment emulation Ennius epyllion Eurydice example Farrell figure genre Georgics Grand Epic Greek Habinek Hardie Hellenistic Hesiod Homer imagery imitation implies interpretation iuuenci literary Lucretius Lyne mystery cult myth Neoteric nightingale Nile Ocean Octavian Odyssey original Orpheus Osiris oxen paradoxical parallel Parthenius passage perhaps Plutarch poem poet poetic poetry Procne prologue to Book propaganda Proteus Proteus episode Ps.-Heraclitus rebirth reference Remus represent rerum ritual Roman Rome Romulus sacrifice seems Servius similar song stichometry Stoic suggest temple theme Thomas tion universe Varro Virgil Virgilian Zagreus Zeus γὰρ δὲ εἰς ἐν καὶ μὲν τὰ τε τὴν τὸ τὸν τῶν