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Seite 28
a Miracolo a Milano / Miracle in Milan ( 1951 , Italy ) . At the end of this film , one of the many films that has been said to mark the end of Italian neorealism , Toto , the chosen one , leads the poor of Milan's shantytown to the ...
a Miracolo a Milano / Miracle in Milan ( 1951 , Italy ) . At the end of this film , one of the many films that has been said to mark the end of Italian neorealism , Toto , the chosen one , leads the poor of Milan's shantytown to the ...
Seite 36
What is certain nonetheless is that the viewer has witnessed a miracle , whatever its nature or origin . Johan has been forgiven for his infidelity and indetermination , and through the intervention of Marianne , who has now disappeared ...
What is certain nonetheless is that the viewer has witnessed a miracle , whatever its nature or origin . Johan has been forgiven for his infidelity and indetermination , and through the intervention of Marianne , who has now disappeared ...
Seite 40
This miracle's immanence lies in that the instant of its occurrence is a confirmation of the world rather than a transformation . In it , it is not the world that undergoes an inexplicable , miraculous change .
This miracle's immanence lies in that the instant of its occurrence is a confirmation of the world rather than a transformation . In it , it is not the world that undergoes an inexplicable , miraculous change .
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Inhalt
Spinoza Deleuze and Carlos Reygadass | 27 |
Sketches of Contemporary Labor | 55 |
The Tragic Voyage to a Postmodern | 75 |
Urheberrecht | |
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