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Seite 13
35 Of Rojo amanecer in particular he writes , “ This chronicle alludes to the massacre of civilians in the Plaza de las Tres Culturas in Mexico City . The film is pathetically obvious and influenced by mainstream Mexican films of the ...
35 Of Rojo amanecer in particular he writes , “ This chronicle alludes to the massacre of civilians in the Plaza de las Tres Culturas in Mexico City . The film is pathetically obvious and influenced by mainstream Mexican films of the ...
Seite 20
... relationship between East and West as a whole in terms of the history of revolutionary struggle . ” The third " Intermitencia , ” as Quiroga notes , “ protests ” the Mexican state's " whitewashing ” of the massacre at Tlatelolco .
... relationship between East and West as a whole in terms of the history of revolutionary struggle . ” The third " Intermitencia , ” as Quiroga notes , “ protests ” the Mexican state's " whitewashing ” of the massacre at Tlatelolco .
Seite 21
... on the futility of writing but also on the " unfinished ” nature of the revolts , whose place in memory has already given way to the memory of a massacre : “ Look now , / stained / before anything worth it / was said : / lucidity .
... on the futility of writing but also on the " unfinished ” nature of the revolts , whose place in memory has already given way to the memory of a massacre : “ Look now , / stained / before anything worth it / was said : / lucidity .
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Inhalt
Spinoza Deleuze and Carlos Reygadass | 27 |
Sketches of Contemporary Labor | 55 |
The Tragic Voyage to a Postmodern | 75 |
Urheberrecht | |
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