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Seite 14
On the other side of its sequence , appears , finally , the clock that ticked out the rhythm of the credits . The image places us in an apartment in one of the buildings on the la Plaza de las Tres Culturas.40 However , the spectator is ...
On the other side of its sequence , appears , finally , the clock that ticked out the rhythm of the credits . The image places us in an apartment in one of the buildings on the la Plaza de las Tres Culturas.40 However , the spectator is ...
Seite 30
Unlike Ordet , Stellet Licht is in color , the importance of which cannot be understated ; Reygadas harbors " atmospheric perspectives " of cinematic landscape painting throughout ; and , most important , whereas Ordet's miracle appears ...
Unlike Ordet , Stellet Licht is in color , the importance of which cannot be understated ; Reygadas harbors " atmospheric perspectives " of cinematic landscape painting throughout ; and , most important , whereas Ordet's miracle appears ...
Seite 81
Particularly when we think , that even there , where ' life ' ( plant , animal ) is , where language does not occur , even if it appears to , as if the speaking animal depended upon eliminating a present hindrance . still !
Particularly when we think , that even there , where ' life ' ( plant , animal ) is , where language does not occur , even if it appears to , as if the speaking animal depended upon eliminating a present hindrance . still !
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Inhalt
Spinoza Deleuze and Carlos Reygadass | 27 |
Sketches of Contemporary Labor | 55 |
The Tragic Voyage to a Postmodern | 75 |
Urheberrecht | |
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appears archive become beginning body capital Castaño cause cinema concept continues cultural Deleuze desire discourse economy effects emergence essay essence event example existence experience expression figure film final Galician give hand Heidegger's Hölderlin human Ibid immanent Italy Johan knowledge labor language Letter light linguistic literary look Main Marianne Martin Heidegger Marxism massacre material means Mexican Mexico Michigan miracle mode movement moving narrative nature notion object opens original perhaps perspective philosophy poem poet poetry political position possibility present production published question reality reason reenactment reference relation remains representation Rojo amanecer sense silence simultaneously social space Spanish Spinoza Sprache Stellet Licht student takes things thinking tion Tlatelolco trans translation turn understand University Press witness writes