Discourse, Band 33,Ausgabe 12011 |
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Seite 105
... Pato has remained a radical voice ( ever more radical , one may add ) . Her radicalism has been influenced by that of three writers from an earlier generation : the poet Xohana Torres ( b . 1931 ) , author of the emblematic text ...
... Pato has remained a radical voice ( ever more radical , one may add ) . Her radicalism has been influenced by that of three writers from an earlier generation : the poet Xohana Torres ( b . 1931 ) , author of the emblematic text ...
Seite 123
... Pato , see “ A escada de Xacobe , ” in Pato , Nínive ( Vigo , Spain : Xerais , 1996 ) , 17–26 ; and “ PORQUE NON É SÓ O IDIOMA O QUE ESTÁ AMEAZADO , ” in Pato , m - Talá ( Vigo , Spain : Xerais , 2002 ) , 21. Another poem by Pato , " No ...
... Pato , see “ A escada de Xacobe , ” in Pato , Nínive ( Vigo , Spain : Xerais , 1996 ) , 17–26 ; and “ PORQUE NON É SÓ O IDIOMA O QUE ESTÁ AMEAZADO , ” in Pato , m - Talá ( Vigo , Spain : Xerais , 2002 ) , 21. Another poem by Pato , " No ...
Seite 124
... Pato's . Her writing style - not her choice of themes - seems closer to Castaño's much - sanitized surrealism . At the same time , Romaní draws from the sociorealist and somewhat pamphleteering strain made popular by the later Manuel ...
... Pato's . Her writing style - not her choice of themes - seems closer to Castaño's much - sanitized surrealism . At the same time , Romaní draws from the sociorealist and somewhat pamphleteering strain made popular by the later Manuel ...
Inhalt
Spinoza Deleuze and Carlos Reygadass | 27 |
Sketches of Contemporary Labor | 55 |
The Tragic Voyage to a Postmodern | 75 |
Urheberrecht | |
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