Oriana Fallaci: The Rhetoric of Freedom
Bloomsbury Academic, 01.10.1996 - 224 Seiten
Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature.
This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world.
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Unless otherwise indicated, I have quoted these in my own English translation.
Other sources, including most of Fallaci's works, have been quoted in the
published English translation, except where there has been a particular reason to
use my ...
In the passage quoted above, the inescapable conclusions are, as always in
Fallaci's writing, explicitly drawn. Here, the rhetoric and the conclusions are
justified as avowedly a subjective impression ("I had a vague feeling that I'd been
The lines quoted above show two "poetic" metaphors of the type indicated by
Guarini's phrase "Aghi d'angoscia mi trafig- gevano il petto", namely - "goccia"
and "lampo", both of which appear dangerously trite. In fact, "goccia" turns out to
Was andere dazu sagen - Rezension schreiben
Reality and Rhetoric
Reports from Other Worlds
sesso inutile viaggio
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