Oriana Fallaci: The Rhetoric of Freedom
Bloomsbury Academic, 01.10.1996 - 224 Seiten
Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature.
This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world.
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The strengths of / sette peccati di Hollywood are accompanied by journalistic
limitations, especially that of neat narrative and discursive closure Yet, though the
book displays no grand theory, no ambitious intellectual superstructure, whether
7 he journalistic interview has something of the nature of the chess-game, though
the collaborative aspect is usually more prominent than the adversarial. Both take
place in "real time" only once, but can be transformed into text (print, audio or ...
This concealment coincides with a literary effect which has passed under the
name of "the death of the Author" and the apparent autonomy of the text - the
opposite of the journalistic effect whereby the person of the author is inseparable
Was andere dazu sagen - Rezension schreiben
Reality and Rhetoric
Reports from Other Worlds
sesso inutile viaggio
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