Oriana Fallaci: The Rhetoric of FreedomBerg Publishers, 01.10.1996 - 224 Seiten Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world. |
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Seite 174
... ( ibid . 65–129 ) argues for a structural ( and therefore basic ) difference between art and kitsch . He defines the artwork as a message that generates messages through the active participation of the beholder , while kitsch is a formal ...
... ( ibid . 65–129 ) argues for a structural ( and therefore basic ) difference between art and kitsch . He defines the artwork as a message that generates messages through the active participation of the beholder , while kitsch is a formal ...
Seite 176
... ( ibid . ) , which we can attribute to the aftermath of 1968-9 in Italy . He castigates the " paraliterary " as a relatively unmediated appeal to the unconscious , and defines its readership as the politically ambiguous and volatile petty ...
... ( ibid . ) , which we can attribute to the aftermath of 1968-9 in Italy . He castigates the " paraliterary " as a relatively unmediated appeal to the unconscious , and defines its readership as the politically ambiguous and volatile petty ...
Seite 178
... ( ibid . , p . 5 ) , in effect reintegrating the self into society ( which , in the process , she helps to redefine ) . Fallaci , however , has written no autobiography ( the third - person fiction of Penelope alla guerra being her ...
... ( ibid . , p . 5 ) , in effect reintegrating the self into society ( which , in the process , she helps to redefine ) . Fallaci , however , has written no autobiography ( the third - person fiction of Penelope alla guerra being her ...
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