Oriana Fallaci: The Rhetoric of FreedomBerg Publishers, 01.10.1996 - 224 Seiten Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world. |
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Seite 22
... documentary authority invoked in varying manners and degrees in all her work , even non - documentary novels like Penelope and Lettera . Other rhetorical features range from narrative stance who narrates ? what is the narrator's status ...
... documentary authority invoked in varying manners and degrees in all her work , even non - documentary novels like Penelope and Lettera . Other rhetorical features range from narrative stance who narrates ? what is the narrator's status ...
Seite 28
... documentary or quasi - documentary investigations of the repres- sive or criminal machinations of political and mafioso power , to the postmodernist innovations of the " neo - experimentalists " and the " neo - avantgarde " , with an ...
... documentary or quasi - documentary investigations of the repres- sive or criminal machinations of political and mafioso power , to the postmodernist innovations of the " neo - experimentalists " and the " neo - avantgarde " , with an ...
Seite 103
... documentary roots , and not only when it purported to be documentary , as in Defoe's Journal of the Plague Year . It has often returned to these roots , as in the post - war season of Italian neorealism . Carlo Levi's testimonial essay ...
... documentary roots , and not only when it purported to be documentary , as in Defoe's Journal of the Plague Year . It has often returned to these roots , as in the post - war season of Italian neorealism . Carlo Levi's testimonial essay ...
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aesthetic American appears attempt bambino becomes Bill book's called chaos Chapter character child close critics culture death defined dialogue discourse distinction effect English ethical existence experience face fact Fallaci father female fiction figure final finds Florence foetus followed freedom give given hero Hollywood human individual InsciAllah instance interview involvement issue Italian Italy journalism journalistic judgement language less Lettera lines literary literature living male marked matriarchy means moral mother narrative narrator never novel novelistic opening Oriana original Penelope person political present question quoted reader references rejection relationship remarks reportage represented Resistance rhetoric Richard social sole muore space speaking story structure style success suggesting takes textual translation turns University uomo values Vietnam voice women writing York